The White Horse: Rupert Chooses Truth Over Performance in Rivals
The White Horse: Rupert Chooses Truth Over Performance in Rivals
A few days after the New Year dance, Rupert arrives again.
But this time, there is no crowd.
No music.
No performance.
He comes alone — riding a white horse across the countryside, toward Taggie.
Rupert and Taggie’s Rivals New Year Dance: When Recognition Becomes Dangerous
The New Year Dance: When Recognition Becomes Dangerous
After the rupture of the dinner — after entitlement is exposed and dignity reclaimed — Rivals offers something deceptively glittering: the New Year party.
Champagne. Music. Dresses chosen to impress.
A room filled with people performing versions of themselves they believe will be admired.
And yet, Taggie O’Hara is not part of the performance.
When Cities Fall in Love- A Valentine’s Journey Through Color and Streets
When Cities Fall in Love- A Valentine’s Journey Through Color and Streets
Love is not confined to letters or grand gestures.
Sometimes, it lives in streets, balconies, taxis, and skylines.
In OlfactoART’s Cities in Love Valentine collection, iconic cities are transformed into emotional landscapes — places where romance is felt, remembered, and reimagined through color and movement.
The Art of Lost Love Letters
The Art of Lost Love Letters
There was a time when love arrived slowly. It traveled miles in the hands of strangers, tucked into envelopes sealed with hope, fear, and longing. OlfactoART’s “Lost Love Letters” series pays tribute to that era — not just through vibrant envelopes and bold hearts, but through the emotions they once carried: excitement, hesitation, anticipation, and the unmistakable thrill of receiving a letter.
The Fox and the Field: Taggie O’Hara’s Quiet Rebellion
The Fox and the Field: Taggie O’Hara’s Quiet Rebellion
In the rolling fields of Bluebell Wood, Taggie O’Hara walks with her loyal dog, wrapped in the calm of an early morning. There’s a softness to the air — birdsong, the rustle of trees, and the faint hum of life untouched by human noise. It’s her sanctuary, a space where words aren’t needed, where even her dyslexia feels irrelevant.
The Thirty Leaves: The Quietest Love Story in Jilly Cooper Rivals
The Thirty Leaves: The Quietest Love Story in Jilly Cooper Rivals
Some love stories whisper. Some hide in drawers. Some take the shape of dried leaves waiting to be found.
There are scenes in literature that don’t announce themselves with fireworks, confrontation, or passion.
Instead, they arrive softly — with the weight of a sigh, the pace of a heartbeat, the fragility of something that could crumble at a touch.
For me, the moment that lives at the center of Rupert and Taggie’s story is one that many readers miss until it ambushes them with tenderness.
Innocence Meets Power: The First Encounter of Taggie O’Hara and Rupert Campbell-Black
Innocence Meets Power: The First Encounter of Taggie O’Hara and Rupert Campbell-Black
There are moments that begin as accidents and end as destinies. Taggie O’Hara’s first encounter with Rupert Campbell-Black is exactly that — a collision of alarm, innocence, and moral certainty. It begins in the most unromantic way possible: a young woman walking her friend home, a wisp of smoke in the distance, a red phone booth standing like a relic of urgency. Taggie, dyslexic but decisive, believes she’s witnessing a fire. She calls the fire brigade. She runs — not away, but toward the danger.